Sunday Kitchen Letter
Spoken
Spoken: A Parting Glass
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Spoken: A Parting Glass

A long letter on fathers, lessons and poetry for love and sleeplessness. This is a parting glass for my father and a hopeful toast to the future.

In this week’s episode, open for all - a reading of two Sunday Kitchen Letters, A Pīwakawaka At The Kitchen Door and An Addendum, on the death of my father.
Finally, some poems on love, remembering and a liturgy for sleeplessness.

Thank you for joining me as I walk the halls of grief and wonder about what the future holds.


A Liturgy for Sleeplessness

At the counting of the hours

and as the ‘un’s’ collect before my eyes

The undone, unsaid and unfinished things in my body

The work of my hands

The unsolved puzzles of my day

May there be rest in knowing there is always something undone that we might sleep and rise tomorrow

The unfelt, unheard and unspoken things that haunt

Swirling in the soft, shadowy edge of the mind

Not enough to wake us but enough to jostle us from deepest slumber

Let my slumber be the safe and soft space for all that is un-

To become part of tomorrow, safe for tonight without needing my concern, my worry, my energy.

For today, I have given all portions and allotments that belonged to it.

But for the catchment of hours left in the night before dawn, grant me abundant mercy as I wander long hours in the small darkness, awake or dreaming.

Give me strength for the dawn. Satisfy even the curiosity of the deep night I find myself aware of.

May the alchemy of body and mind, mystery of eyes responding to light and noise relent — to the tonic of sleep; the easy weighted fall of eyelids, the slowing rhythm of breath.

I lay down into the rhythm of the hours and surrender to them, even the most unwilling parts of me. Grant me mercy in slumber and keep me there.

I offer my evening prayer to the morning and ask for the unknown knitting together of fibres, for entering the healing of deep rest.

For the peace and end of the day, done and undone, and for sleep.

Pax.


Remember is Quicker than Forget.

i.

Remember is quicker than Forget

on the track of a mind.

You are easy

to forget to think about

if I walk quickly in a forward direction

if I do not look back

– I do not think to think about you.

I do not write you down, I do not imagine words to shape you

Out of the nothing, back to the mind. 

I do not remember to make you from memory, I would not remember to forget. 

I leave nothing in memoriam, but everything is left behind regardless; in nothing-ness.

But – if I stop or pause,

if catching my breath on an airport concourse

at a train station;

driven but not driving and left to wonder

interrupted by a red light –

if I do not propel myself forward from you 

in every moment unceasing;

then Remember is quicker than Forget – and catches up to me.

I encounter the memory of you
who taps me on the shoulder, 

I collide with you, the thought and thinking of you. 

Remember is so quick, Forget so slow. 


Love is Not.

Before I knew anything hard or cruel
like the world is
I believed in fairy tales
with one dubious eye open – but even then
never wanted one
never thought Love would look a certain height or weight
or would gaze at me through eyes a certain colour
with skin a certain hue

I only hoped Love would be nothing
like I had seen in a movie or read in a book.
I hoped Love would be a new idea.

I hoped Love would be an anchor,
as steady as concrete or steel
and at the same time warm,
I wanted a paradox of my own to explore.

I hoped Love would feel strong
and sound like a cheerleader
believing each of my
mad, genius, over-sized and wonderful ideas
was in fact, wonderful.

I wanted to Love to find me wonderful, an endless curiosity.
An unending conversation.

Later the hard nature
of the world taught me
how I did not know
could not know
the touch or voice of Love,
the sound or the feel of it.

I spent long hours talking to
the stars and the moon instead
to the curve of the earth and rippling sea
cheeks made damp by
my own ocean of salt water
my days poured out like sand
a broken hour glass

I spoke aloud and asked
how I could not know the
sound of Love’s voice
after listening so long
unless I had never heard Love at all.

Before the Universe answered
in that long silent pause of breath that is
light reaching between two stars within my sight –
that long of a breath I was left waiting.

The Universe still did not answer me
but a feather fell at my feet saying
‘Love is itself, warm and waiting
stretched from the stars to the moon.’
But this truth I refused, my body shaking.

I climbed to my high place
stared out into the sea
in my smallest voice
whispered to the Silent in my silence.

…….

It occurred to me perhaps
I knew what Love should be
because I knew so well
what Love was not.
I said to the Love strung between
the stars and the moon and the sea
‘Let it be kind, strong and generous
when Love comes to me.’

I met Love on a Thursday
but we did not recognise each other.
I was following feathers and
by the time I did see Love in
kindness, strength and generosity
I had learned that when Love is strong,
Love will probably be stubborn and
not all kindness is admirable but
there are other things that Love is.
Even kindness takes some getting used to.

Love was busy telling me
what Love is and is not
and Love didn’t want me.

I leaned in and learned the lesson anyway
what is was to listen and talk to Love
and then I returned to my high place
as close to the moon as I could stand
far above the sea, and said to the Universe

Now that I know what Love feels like,
sounds like and looks like –
I think I must talk to Love no more.

It occurred to me that silent or speaking,
telling me what is and what is not,
Love and the Universe are much the same.

And the Universe was still silent.


The Parting Glass is a Celtic ballad, a farewell song often credited to the Irish but in true Scottish form - we claim the true origin. For many years, this has echoed as the song in my head when Dad wandered close to passing.

Just a glimpse of the haunting lyric -

Of all the money that e'er I had
I have spent it in good company
Oh and all the harm I've ever done
Alas, it was to none but me

And all I've done for want of wit
To memory now I can't recall
So fill to me the parting glass
Good night and joy be to you all

So fill to me the parting glass
And drink a health whate'er befalls
Then gently rise and softly call
Good night and joy be to you all

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Sunday Kitchen Letter
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Essays, read aloud. With additional commentary, poetry and stories behind the essays of Tash McGill.
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